Whenever my parents tell me my birth story, they always talk about how they saw the movie Phenomenon shortly before my mom went into labor. So, I felt like I needed to see this film that basically brought me out of the womb.
Starring John Travolta and Kyra Sedgwick, this supernatural drama follows the story of George Malley (Travolta), an ordinary man who receives some extraordinary powers on his 37th birthday. Some of his gifts include the ability to become quickly fluent in foreign languages, predicting earthquakes without using any sort of scientific instrument, and moving objects with his mind. Throughout this film, Malley grows as a person, finds romance, and shows people the capacity that they have to learn and love.
Starring John Travolta and Kyra Sedgwick, this supernatural drama follows the story of George Malley (Travolta), an ordinary man who receives some extraordinary powers on his 37th birthday. Some of his gifts include the ability to become quickly fluent in foreign languages, predicting earthquakes without using any sort of scientific instrument, and moving objects with his mind. Throughout this film, Malley grows as a person, finds romance, and shows people the capacity that they have to learn and love.
Screenwriter Gerald Di Pego does an incredible job with the dialogue. It is funny and relatable one minute and profound and thought provoking the next, which speaks not only to Di Pego’s abilities as a writer, but also to the versatility of the actors. For example, Malley forges a relationship with his love interest Lace Pennamin’s (Sedgwick) children. Her son, Al, played by David Gallagher, is very protective of his mother. When Malley is trying to romance Pennamin, a concerned Al steps in and says, “I thought flowers were for dates…did she invite you?” Later on in the film, Al and Malley have a heartwarming, yet serious, discussion. Malley takes a bite of an apple and explains to Al that if Al also takes a bite of that apple, it can be a part of both of them.
The chemistry between the actors is wonderful. The relationship between Pennamin and her two children is so sweet. Malley’s relationship with his doctor (played by Robert Duvall) is like a father-son relationship. They laugh and cut up, but it is obvious that they also care for each other very deeply. Then, there’s Malley’s relationship with his best friend, Nate (played by Forest Whitaker). They represent a true friendship.
The chemistry between the actors is wonderful. The relationship between Pennamin and her two children is so sweet. Malley’s relationship with his doctor (played by Robert Duvall) is like a father-son relationship. They laugh and cut up, but it is obvious that they also care for each other very deeply. Then, there’s Malley’s relationship with his best friend, Nate (played by Forest Whitaker). They represent a true friendship.
The cinematography is absolutely stunning. Cinematographer Phedon Papamichael does wonders with the outdoor wide shots, showcasing the beautiful landscape. Coupled with set designer Jay R. Hart’s work, the videography is magnificent.
The soundtrack is a big plus. There is a great mix of familiar songs and Thomas Newman’s original material. I definitely expected this, because my mom told me that I was kicking her belly throughout the entire movie. I always knew I had good taste in music.
Although the screenplay is a strength in this film, it is also a weakness. The pacing seemed off. During the first half of the film, there were many times where I would think “alright, where’s this going?” Don’t get me wrong – the ending was very satisfying and an interesting take, but I would have appreciated a little bit more lead-in.
The soundtrack is a big plus. There is a great mix of familiar songs and Thomas Newman’s original material. I definitely expected this, because my mom told me that I was kicking her belly throughout the entire movie. I always knew I had good taste in music.
Although the screenplay is a strength in this film, it is also a weakness. The pacing seemed off. During the first half of the film, there were many times where I would think “alright, where’s this going?” Don’t get me wrong – the ending was very satisfying and an interesting take, but I would have appreciated a little bit more lead-in.
Film viewers should be 13 or older, due to some nudity, language, and thematic elements. If you’re looking for a film that draws you in and leaves you pondering afterward, then this is definitely for you.
MPAA Rating: PG
Film Grade: Somewhere between B+ and A-
Check back here soon for more reviews.
Until Next Time,
Kathryn (The Redhead Behind the Reviews)
11/17/16
MPAA Rating: PG
Film Grade: Somewhere between B+ and A-
Check back here soon for more reviews.
Until Next Time,
Kathryn (The Redhead Behind the Reviews)
11/17/16